From the Sahara to Queens: Etran de L’aïr Plays a Soldout Show at TV Eye
Etran de L’Aïr come from Agadez, a city in northern Niger known as the gateway to the desert. The region is the birthplace of desert blues, a genre deeply tied to the history and nomadic traditions of the Tuareg people in the Sahara. Desert blues blends traditional African rhythms with electric guitars, creating a sound that is both ancient and modern. Its roots trace back to the Malian blues of legends like Ali Farka Touré and the political, poetic songs of bands like Tinariwen. The music often reflects themes of displacement, identity, and resistance, shaped by the harsh landscapes and turbulent histories of the Sahara region. Agadez itself is a crossroads of cultures, where trade caravans once passed through and diverse peoples met, making it a hot spot for unique music like that of Etran de L’Aïr.
Formed by brothers and cousins, the band has played together for decades at weddings, celebrations, and community events, carrying forward this rich musical heritage with their own vibrant style. This past Sunday, Etran de L’Aïr captured the attention of TV Eye in Ridgewood, Queens with their hypnotic discography.
Their music was electric in every sense. Layered guitars looped into polyrhythms that shimmered and swirled, with each song unfolding in a long sprawl. Etran de L’Aïr takes their time. Their songs move patiently, and somehow the steady pace kept the crowd completely entranced.
TV Eye was full, with a warm energy flowing through the space. People danced. Some swayed with their eyes closed. Others stood still and simply listened. Unlike most shows in New York, hardly anyone had their phone out. It wasn’t a night for capturing content. It was a night to be fully present.
The band played from their recent album 100% Sahara Guitar as well as their earlier release, Agadez, stretching songs into extended versions that blended into one another. Each piece transitioned smoothly into the next, gradually building energy and excitement.
What stood out most was the joy coming from the stage. Etran’s connection, both as musicians and as family, created something quietly powerful. Their chemistry needed no words. The members seemed completely at ease with one another, offering support through subtle glances and small smiles. That sense of trust made the music feel relatable and alive.
By the end of the set, the room erupted in applause. Etran de L’Aïr offered something rare. This was music that asked you to slow down and enjoy the moment.
Etran de L’Aïr are currently traveling and sharing their Saharan sound with audiences across North America and Europe. Upcoming shows include dates in Lisbon, Barcelona, and Toronto, with more dates to be announced.
