There was no attempt to separate the music from that identity. Queerness, humor, vulnerability, politics and self-expression all existed naturally within the same set. MUNA as a group could move from a joke to a political statement to a stripped-back acoustic moment without any of it feeling out of place. 

Moontour is proving why they’re one of the best underground bands with their latest Arizona tour. They played to a nearly sold out, ecstatic crowd at Crescent Ballroom in Downtown Phoenix on September 18^th.  

Marielle Kraft’s opening set showcased her talent, personality, and unwavering ability to bring a room together in Minneapolis, MN.

On their first night of two shows in Seattle, The Crane Wives prove that they can set an audience ablaze - whether that’s a crowd of three hundred or almost a thousand.

Bands that fit under the internet micro-trend “older brother-core.”

Olivia Rodrigo’s Daisy Chain Fields is flipping the script on the modern music festival, proving that a powerful lineup can create just as much impact offstage as it does under the lights.

Having every song at our fingertips does not mean we all have to listen to music the same way. Physical media just allows people to step outside of the box and enjoy it the way they like to. For Gen Z, physical media offers more control on how we interact and experience music.

Today’s indie artists draw inspiration from 80s and 90s nostalgia but with a darker, more ambient feel rather than the typical “chill” laidback vibe of the 2010s.