Loveland Is Open With Suki Waterhouse’s New Album
Suki Waterhouse is back with her brand-new album Loveland. The album kicks off with the lead single “Back in Love,” opening the album with a dreamy, cinematic horn section.
“Happy With It” is a departure from other songs in Suki’s discography, due to it’s funky electric guitar. The sound of this track is a stark contrast from its contemplative lyrics regarding what happiness truly looks like in a relationship.
With this being Suki’s third album, there is a clear growth in her songwriting. A lot of the songs focus on love, given by the name of the album, and the lyrics are descriptive, yet easy to follow. “Almost” is one of the clearest stories on the album, regarding a what-if scenario of a missed connection. Suki contemplates the scenario and the ending of said scenario, “I think the ending’s almost better without a kiss.”
Loveland also has elements of Suki’s typical 70’s sound, yet it also standouts from her other albums. In songs like “Notting Hill” and “Jukebox,” an old piano is spotlighted and creates the heart of the 70’s sound. “Jukebox” is fittingly one of the most 70’s sounding songs on the album, given that it’s about wanting to focus on dancing to a jukebox and finding solace in the slow music playing.
Suki also has such a distinct, unique style of singing that is so pleasant to listen to. On this album, her sensual, effortless style of singing delivers the theme of love and really brings the songs to life. This is especially apparent in “When I Get Drunk (I Want You Boy.)” The song revolves around wanting someone who doesn’t treat you well, but only when you’re drunk. Her effortless style pairs well with the slow bass that carries the melody and mood of the song.
“Puppy Dog Eyes” is a vocal standout since Suki explores a heavier, almost rock style. The chorus picks up the heavy backing vocals, accompanied by beating drums that intensify the song.
While love is a common theme on the album, loneliness is also talked about frequently. “Seasons” is one of the more vulnerable songs on Loveland, focusing on how Suki is being forced to be ok with being alone. However, she quickly recovers by following this song with the upbeat, catchy “Tiny Raisin.” In the ninth track on the album, Suki is proudly possessive of her man, while also describing the ups and downs of their relationship.
Similar to the opening with the horns on “Back in Love,” the final song on the album ends with an equally cinematic string opening and closing in “Weirdo.” The opening and closing are very fitting for the mood of the album, a grand, picturesque sound that is truly where Suki shines.
Overall, the album is very special. It is able to expand on Suki’s usual sound, without having to betray the aesthetic she’s been able to build. Loveland is able to detail experiences that are personal, while also making them relatable to others. This allows the album to carry a universally relatable element but is a distinctive standout to a listen to.
